Tuesday 3 March 2015 / Door 8pm, Music 8:30pm / Tickets: £7 adv / £9 on the door (£5 students)

Tuesday 3 March Kammer Klang presents works by Georgia Rodgers and Beat Furrer performed by soprano Juliet Fraser, pianist Mark Knoop and tuba player David Powell, and a solo tuba improvisation set by Oren Marshall.




The Hermes Experiment
New piece devised by Lloyd Coleman & The Hermes Experiment


Georgia Rodgers
Partial Filter for solo tuba and electronics (2014)
Cut it out for solo piano and electronics (2014)

Beat Furrer
Voiclessness for solo piano (1986)
Aria for solo voice and ensemble (1999)

Juliet Fraser, voice
Mark Knoop, piano, conductor
David Powell, Tuba


Oren Marshall, solo tuba improvisation set



The Hermes Experiment, photograph by Thurstan Redding

The Hermes Experiment is an ensemble of four young professional musicians passionate about contemporary and experimental music, inspired to create something innovative and unique.
Based in London, The Hermes Experiment comprises Héloïse Werner (soprano), Oliver Pashley (clarinet), Marianne Schofield (double bass) and Anne Denholm (harp), who met whilst studying music at Cambridge University. Capitalising on their deliberately idiosyncratic combination of instruments, the ensemble performs a variety of experimental compositions and arrangements, as well as venturing into live free improvisation.
The Hermes Experiment seeks to promote contemporary composers, regularly commissioning new works. The ensemble also strives to create a platform for collaboration with other artists, and future plans include a ‘musical exhibition’ with photographer, Thurstan Redding.
The Hermes Experiment are winners of the Nonclassical Battle of the Bands 2014, and took part in the 2014 UK Young Artists Festival in Leicester.

"It was an enormous pleasure to write for The Hermes Experiment, and to work with them: they are four immensely talented young musicians with bags of enthusiasm and energy, and an impressive commitment to the material they perform. I think they have a very bright future." Giles Swayne


Georgia Rodgers

Georgia is studying towards a PhD in Music Composition at City University, London, working part-time under the supervision of Dr Newton Armstrong. She specializes in music for acoustic instrument and electronics, with a particular interest in the construction of space, the perception of sound and the human experience of listening.
Georgia holds a BSc in Physics with Music and an MSc in Digital Composition and Performance, both from the University of Edinburgh. In summer 2014 Georgia will take part in the Sound and Music Higher Education Programme working on a piece for tuba and electronics with Oren Marshall.
Georgia also works as an acoustician for a firm of consulting engineers based in Camden. She lives and works (and was born) in north London.

Partial filter for tuba and electronics (9 minutes, 2014): my aim in this piece was to approach the tuba from an unusual angle in order to reveal hidden characteristics and really explore its sound world. I’ve concentrated on the sound made when the player breathes through the tuba without playing a pitch - a filtering of air through the volume of the instrument. Electronic processing techniques are used to magnify these sounds and focus in on the slight changes in grain which occur when the player make tiny adjustments to his breathing. Later we arrive at simple pitched sounds which swell and fill the space, before returning to filtered noise. I value a slow approach to listening. I think that our awareness of the morphology of a sound is heightened when it unfolds gradually.

Cut it out for piano and electronics (9 minutes, 2014) started by recording works for piano which were processed electronically to highlight particular aspects of their sound. These were cut together to create a fixed electronic part which is mixed with the live piano in performance. The live piano part is derived from the scores of the original works with repetition, deviation and extended sustains. Different versions of the same sound combine to present a shifting and fragmentary whole which inhabits multiple acoustic spaces at once.



Beat Furrer

Beat Furrer was born in Schaffhausen, Switzerland in 1954 and moved to Vienna in 1975. To all intents and purposes he is an Austrian composer.
He studied composition with Roman Haubenstock-Ramati and they developed a close friendship based on mutual esteem which lasted until the older composer’s death in 1994. Thanks to Otmar Suitner, who taught him conducting, Furrer has been in a position to perform works by his professor on a regular basis. He is credited, for example, with the world première of the revised version of Haubenstock-Ramati’s opera Amerika in 1992.
In 1985, Furrer founded the new music ensemble Klangforum Wien, which he led a number of years both as artistic director and conductor. It testifies to his leadership as well as of that of his successors that the ensemble is still going strong and has established itself on the international scene as one of the best groups of its kind world-wide. (Universal Edition)



Oren Marshall

Oren Marshall is a pioneering player of acoustic tuba and electric tuba who, crossing between classical, jazz, improvised and world music, has collaborated with the likes of Derek Bailey, Charlie Haden, Sir Peter Maxwell Davies, Moondog, Radiohead, Hermeto Pascoal, The Pan-African Orchestra and the London Philharmonic.
He has played with every major orchestra in London as well as with the Bolshoi Theatre Soloists, the Frankfurt Radio Symphony Orchestra and the Canadian Ballet. As a member of London Brass (whom he joined in 1987) he has made numerous recordings, toured worldwide several times, played 6 Proms concerts and performed for The Queen, Prince Charles, the German Chancellor, the President of China and The Pope.
Amongst the many Duos Oren has played are performances with Jazz pianist John Taylor, New York Beatboxer Adam Matta, UK Beatboxers Shlomo and Hobbit, Prepared-Piano player Hauschka, Percussionist Evelyn Glennie and multi award-winning vocalist, Bobby Mcferrin.
As a solo artist, Oren has played all over the world and his ground-breaking solo work lead to multiple nominations for the BBC Innovation in Jazz Award.
He has also shared the stage with artists such as Gil Scott Heron, Roy Ayers, Moby, Vinicio Caposella, Murcoff, Tomasz Stanko and Sleepytime Gorilla Museum.
He leads and writes for the Charming Transport Band, bringing together master musicians from Ghana and Nigeria and innovators from London’s jazz and improvised music scenes.
Oren is currently Head of Brass Studies at Trinity Laban Conservatoire, London and teaches on the Leadership course at the Guildhall School of Music and on the Jazz course at the Royal Academy of Music.

A rambunctious young man. (Gunther Schuller)

I ain’t ever heard a Tuba being played like that before. (Bobby Mcferrin)

The Jimi Hendrix of the Tuba. (John Fordham)

Beautiful Tuba! Lindo, lindo, lindo! (Hermeto Pascoal)



Juliet Fraser, photograph by William Oldroyd

Juliet was educated at the Purcell School as a first-study oboist and then at Cambridge University where she read Music and History of Art. As a student there she was a chorister in the chapel choir of Clare College; subsequently she sang with professional choirs such as Polyphony, Tenebrae, the Monteverdi Choir, The King's Consort and the BBC Singers. 
Juliet's solo repertoire is dominated by the music from either end of the canon: she is as highly regarded for her interpretation of Renaissance and Baroque music as for the most challenging contemporary works.
In contemporary repertoire, Juliet has appeared as a soloist with the CBSO, London Sinfonietta, Endymion, Plus-Minus Ensemble, BBCSSO and, in Europe, with L'Instant Donné, We Spoke: New Music Company, Ensemble Modern, musikFabrik and Ensemble intercontemporain.
Juliet is principal soprano of EXAUDI, the acclaimed contemporary music vocal ensemble, which she founded in 2002 with composer/director James Weeks. With EXAUDI she has released critically acclaimed portrait discs of Michael Finnissy, Christopher Fox, Elisabeth Lutyens, Howard Skempton and Stefano Gervasoni. The 2013 release, 'Exposure', features new works written for EXAUDI by Joanna Bailie, Stephen Chase, Aaron Cassidy, Bryn Harrison, Claudia Molitor and James Weeks.



Mark Knoop

London based pianist and conductor Mark Knoop is known for his fearless performances and individual interpretations. He has commissioned and premiered countless new works and worked with many respected composers, and also brings fresh approaches to the standard and 20th-century repertoire. He is currently Turner Sims Fellow at the University of Southampton.
Mark has appeared throughout Europe, the United Kingdom and Australia and in New Zealand, South Korea, Mongolia, United States of America, Canada and at festivals including the Transit, Ultima, Huddersfield, Spitalfields, Borealis, Lucerne, Spor, Melbourne, and Adelaide Festivals, and the ISCM World Music Days.
He performs with such groups as Plus-Minus (London/Brussels), Letter Piece Company (London/Brussels), musikFabrik (Köln) and Apartment House (London). His recordings of music by John Cage, Richard Beaudoin, and David Lumsdaine have been critically acclaimed.



David Powell

A graduate of London University and the Royal Academy of Music, David has had a long and varied career as a freelance tuba player, teacher, animateur, arranger and composer. Besides working regularly with classical orchestras and contemporary music ensembles, he has played with many great jazz musicians such as Mike Westbrook, John Dankworth and Billy Cobham: he was also a founder-member of Loose Tubes. Recent performing highlights have included a 7–week tour of “Star Wars in Concert” around the USA: a summer season at Shakespeare’s Globe Theatre: and recording and touring with Peter Gabriel. David has taken part in music education and community projects for people of all ages and abilities, from babies to elderly people with dementia. He is also organist and choirmaster of an Anglican parish church.


Kammer Klang gratefully acknowledges support from the Arts Council England, the PRS for Music Foundation and City University London.